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This article is written by a student writer from the Her Campus at Kutztown chapter.

As we progress into the 21st century, it seems entertainment companies are finally realizing that we need more diverse representation on screen. At long last, companies like Netflix are creating queer and POC stories, and I am here for it. 

Heartstopper has been making waves since it hit the streaming service on April 22. It has been met with critical acclaim, and for good reason, as the show depicts the beauties of the LGBT community. 

The show stars Joe Locke as the main character Charlie Spring, as he navigates his relationships with his friends and crush, Nick Nelson, played by Kit Connor. The ensemble cast is also composed of highly talented actors William Gao, Yasmin Finney, Corinna Brown, Kizzy Edgell, and Tobie Donovan. 

The casting is immaculate, and the chemistry between family and friends feels authentic. It is simultaneously heartfelt, emotional, and funny, without the tone or pacing of the show feeling off. 

Although gay characters and relationships have become more prominent in media, Heartstopper also highlights lesbianism, bisexuality, and transgender idenities. One character is also coded as aromatic asexual, which I hope the series explicitly addresses if renewed. And yes, there is even your token straight person. 

Heartstopper may feature coming-out story arcs but it is not a coming-out story. The characters may struggle with their identities, as well as homophobia from their peers, which is unfortunately a sad reality, but they also struggle with the growing pains of being a teenager. Their sexuality and gender identities are only a piece of their entire character, which is how it should be. 

Heartstopper is based on a webcomic of the same name by Alice Oseman, who also wrote and executive produced the show. Although I am guilty to admit I have not read the comics yet, they are definitely on my reading list now. From what I’ve seen on social media though, fans are very happy with how the comics were adapted.

There are scenes in the comics that line up panel by panel to the scenes on screen. The visual effects and transitions added to the show also pay homage to the graphic novel roots of the story.

Heartstopper proves that great media based on written works can be produced with author involvement and a love of the original source material. If all books were adapted as successfully, Rick Riordan wouldn’t have to be re-adapting his Percy Jackson series. 

Above all, Heartstopper is commendable for giving us the queer stories we deserve. Although stories exploring LGBT oppression and trauma are important, it is equally important to have heartfelt, rom-com stories as well. Straight couples have had these cheesy stories for years, it’s about time LGBT relationships are depicted as swoon-worthy as well. 

So yes, Heartstopper did make my heart stop with its adorable and honest depictions of queer joy– and it’ll make you feel the same.

Kaitlyn Resline

Kutztown '25

Kaitlyn Resline is a freshman Professional Writing major and a double minor in Spanish and Women's, Gender, and Sexuality Studies. She is a member of the Kutztown University Marching Unit and Shoofly Literary Magazine. In her free time she loves reading, writing, and practicing her instruments.