Grace Horrocks is more than your average University of Arizona student. She can multitask with the highest level of precision, as she conquers a truly sweat-inducing schedule. While double majoring in Dance and Womenās Studies, Horrocks manages to minor in Theater, keep a job, engage in extracurricular activities and have a social life! Her life, much like her charming personality, is far from ordinary.
Name: Grace Horrocks
Age: 21
Major: Dance / Womenās Studies
Minor: Theatre Arts
Grade: Junior
Job: Starbucks Barista and Dance Instructor
What started your dance career?
āI started dance when I was 2 years old. My two older sisters are dancers, and I just kind of copied them, and Iāve been dancing since, so about 18 years.ā
What style of dance do you practice?
āI started in ballet and I kind of grew up with the idea that ballet was very important, and it was the most important, which it really is. Ballet technique is needed for a lot of styles. My older sister is a professional ballet dancer, so I kind of looked up to her with that. So up to age 18, I loved ballet the most, but I did competitions for 9 years and that was a lot of jazz, tap, musical theatre, and hip-hop.
When I came to college, I started modern dance. At the UA, thereās a triple track program, so its ballet, modern and jazz with equal emphasis, which is one of the only ones in the country that does that, so thatās why I came. Now, I kind of have veered away from ballet. I realized itās not what I love to do the most, in terms of dance styles. For the future, I really want to do more theatre dance, jazz, modern, and contemporary dance.ā
When and how did you start teaching kids to dance?
āAt my studio, we had assistants, dance assistants, that could assist the younger kidās classes. I started when I was about 12 years old, assisting ballet to 3 to 5 year olds and assisting jazz to 6 to 8 years olds. From there, I picked it up and kept assisting more and taking classes alongside that. When I became about a sophomore in high school, I started to teach my own classes.
At first I taught just preschool level, so 3 to 5 year olds, and then, gradually, I would be asked to teach more advanced classes. I remember once I was 16 and I taught 18 year olds a ballet class and it was weird, but it was cool because it was just like the class that I take, but now I was teaching it.ā
What is a funny or interesting story about your time teaching kids?
āI was an assistant for this ballet class, all the kids were about 3 years old in it, and it was the recital at the end of the year; they all go on stage with costumes and itās a big deal for them. The assistants, just to make sure they donāt run off stage or something, have to be on the side of the stage just basically babysitting or monitoring them. I was on the side of the stage, and this little girl at the end of the line just peeās her pants, and the pee just spreads all across the stage and no one knew what to do, and no one knew why I was freaking out. So I had to figure out how to deal with thatā¦I donāt really remember how it resolved, but the curtain had to go down and we just had to wipe it up. That was one thing that happens all the time.
Another weird one, I was assisting a jazz class and a girl, in the middle of our warm up, just leaves and goes to her dance bag.Ā And as she opens her dance bag, a live bunny comes out of it and runs across the room and we had no idea what to do. We just told her sheās not allowed to have animals in the studio and she was sent home because she had a bunny with her, it was really weird.
Kids do things that they donāt know, like, rules that we see as common sense, and so its really interesting to see these things that happen and things that they do because its kind of liberating almost, when youāre teaching them, and they bring these things in and do these things and they donāt realize itās not āetiquetteā or whatās seen as the ānormalā way to act.ā
How do you like the UofA?
āI like the UofA. I came from LA so I thought it would be a lot different in Tucson, but honestly, itās amazing in Tucson. Thereās such a cool art community here and I feel like much more, its much more relatable for me here, than it is in LA in terms of the art community, and there are a lot of lower demographics here, that my gender womenās studies degree kind of sprouted from just being in Tucson, rather than LA where its very wealth oriented and high class, so it was really cool to come to Tucson.
In terms of the dance program, its great here we get to take class in modern, jazz and ballet so thatās really nice. They really push for well rounded dancers, which I think is needed the most in terms of like getting a job, and getting a job is so hard for everyone right now, so UofA really caters to the dance department, really caters to that, like making us marketable for any job. Its really motivating the we go here, the audition process is really selective so youāre amongst amazing people who constantly inspire you everyday in classes. We all just motivate each other. Itās a really welcoming environment, which is rare in the dance world.ā
How do you balance dance, school, work and a social life?
āWell, social life, I live with one of my best friends so we always talk about how I would never get to see her if I didnāt live with her, because Iām barely home. So when I am home, itās just for that 20 minutes that Iām home, or 10 minutes that Iām home, and we see each other and we get to spend time with each other, and we maintain our relationship. It is hard, especially for dance. You have to stay fit and healthy, so you canāt just not sleep. I think putting health as a priority has really helped me. I think that if I didnāt take health as one of the most serious things in my life, then I wouldnāt be able to do all of it. I stress a lot, but you just have to take it day by day. Working to stay positive, itās a full time job doing that alone. I think just taking health really seriously is what you have to do.ā
What advice can you give to girls at the UofA?
āI think the best advice I can give, and something I constantly have to work to follow, would be: remember whatās important.Ā If your stressing out about certain things, think about why they are there, and if thereās something that maybe necessarily isnāt going to contribute to your goal, try and just eliminate it, because those little things, especially as woman, those pressures and little worries, those are things that if we didnāt worry about, we could be using our minds so much more. So try to not boggle down on things that arenāt āimportant.ā Just remember that you are here at UofA and if youāre doing a million things because of your mind and your capabilities, just stay focused on that and donāt waste your mind on things that society or different outside sources puts on you. Stay focused and remind yourself whatās actually important.
What are your goals for the future?
āWell, dance careers are really short-lived. For the most part, most peopleās bodies canāt take dance forever; you canāt dance forever at your peak, so a lot of people see that as a negative, but I kind of like it because I feel like Iāll be able to dance until however long Iāll be able to dance professionally. And then say thatās when Iām thirty five, I say āokay I canāt do this anymore,ā then I want to do a whole other career.
First, when I leave college, my focus is going to be 100 percent dance oriented, and I wouldnāt say no to a touring company, doing more musical theatre-oriented shows, or a contemporary or modern-influenced company, but Iām really leaning towards tours, like shows that tour, because I want to travel more and see different places. I think right out of college, if I get a job with a cruise line, Iāll take it, because itās a really good job financially, and I would love it.ā
Photo credit: Ā© Victoria Hudson 2016