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This article is written by a student writer from the Her Campus at Casper Libero chapter.

Recently, pop culture has been shaken by a wave of allegations of abuse and sex trafficking against rapper Sean “Diddy” Combs, who has been incarcerated since September 16. Facing over a hundred new reports of sexual abuse, Diddy has also become the focus of various conspiracy theories circulating on social media. Some of these theories suggest that some songs contain hidden clues about his crimes that are under investigation. 

Here are five songs that address the accusations against Diddy: 

She knows

Released on October 29, 2013, the song “She Knows” has become a focal point in the conspiracies surrounding rapper Sean “Diddy” Combs’ recent arrest. A particular excerpt has captured the attention of internet users:

“Rest in peace, Aaliyah / Rest in peace, Left Eye / Michael Jackson, I’ll see you as soon as I die.”

In this passage, J. Cole references the tragic deaths of Aaliyah, who died in a plane crash on August 25, 2001, and Lisa Lopes, known as Left Eye, who passed away on April 25, 2002. He also mentions Michael Jackson, who died on June 25, 2009.

During the 1990s and 2000s, the U.S. music industry was predominantly represented by the trio of Diddy, Jay-Z, and R. Kelly, who was arrested in 2019 on charges of sexual abuse and child pornography. 

Some theorists suggest that the song’s title subtly references Jay-Z and BeyoncĂ©, speculating on their alleged connection to Diddy’s crimes. One of the “clues” cited is the play on words involving Diddy’s real name, Sean, and BeyoncĂ©’s surname, Knowles, which together form “She Knows.”

Yummy 

In another instance, internet users speculate that the music video for Justin Bieber’s 2020 song “Yummy” serves as an alleged commentary on the pedophilia and abuse he reportedly experienced. Theories circulating, particularly on TikTok, highlight the children playing instruments in the video while adults are shown enjoying themselves.

Another point of contention is a scene where Justin sits at a table surrounded by older individuals who are seemingly trying to impress him. At one moment, his face even appears on one of the plates. Discovered by Usher as a teenager, Justin now has Sean “Diddy” Combs among those credited with shaping his career.

Despite the rampant rumors on social media, there is no concrete evidence linking the song to the ongoing case involving Diddy. So far, Justin has not publicly addressed the allegations.

Fuel

Eminem has not escaped the scrutiny of internet theories either. In his latest release, The Death of Slim Shady (2024), fans have been analyzing the lyrics closely and have identified two tracks that they believe may connect to the ongoing Diddy case. 

One notable example is the song “Fuel,” in which listeners speculate that Eminem alludes to the various lawsuits filed against Combs. Many fans point to specific lines that seem to echo the allegations and controversies surrounding the rapper, suggesting that Eminem is using his platform to comment on the current events in the music industry: 

“I’m like a R-A-P-E-R / Got so many S-As / Wait, he didn’t just spell the word, “Rapper” and leave out a P, did he? (Yep) / R.I.P., rest in peace, Biggie / And Pac, both of y’all should be living”.

This connection has sparked extensive discussions on social media, with fans dissecting every detail in search of hidden meanings. The fascination with the potential overlap between Eminem’s lyrics and Diddy’s legal troubles reflects a broader trend of artists intertwining personal narratives with societal issues, inviting fans to engage deeply with their music. As theories continue to circulate, it will be interesting to see if Eminem addresses these speculations directly in future interviews or releases.

Antichrist 

In “Antichrist,” another track from the album, Eminem seems to make a pointed allusion to Diddy with the provocative line:  

“Horrible and treacherous like me, or spitting just as mean? / The next fool who asks me will get hit worse than Diddy did to…” 

This particular verse has caught the attention of fans and critics alike, as many interpret it as a direct reference to the recent allegations surrounding Diddy. According to g1, these lyrics may point specifically to singer Cassie Ventura’s complaints against the rapper. In May of this year, Diddy publicly admitted to assaulting his ex-girlfriend, which has sparked widespread discussions about his behavior and legal issues. 

“The verses are a possible reference of the singer Cassie against Diddy. In the end of 2023, ela o acusou de submetĂȘ-la por mais de uma dĂ©cada a coerção fĂ­sica e drogĂĄ-la, alĂ©m de estuprĂĄ-la em 2018.” According to G1

The intertwining of Eminem’s lyrics with Diddy’s controversies showcases the rapper’s ability to comment on current events through his music. Fans are now left speculating about the implications of such references and whether Eminem is deliberately taking a stand against abusive behavior in the industry. As conversations around the track continue to evolve, it raises questions about the responsibilities artists hold when addressing sensitive subjects in their work. This has the potential to create a dialogue not only about their personal experiences but also about the broader societal issues at play.

Carnival

In “Carnival,” a collaboration between Kanye West and Ty Dolla Sign, the singer seemingly places Diddy—also known as “Puff Daddy”—in the same category as figures like R. Kelly and Bill Cosby, both of whom have faced serious criminal allegations. 

In the lyrics, Kanye raps, “Now I’m Ye-Kelly, bitch, now I’m Bill Cosby, bitch. Now I’m Puff Daddy Rich, which is ‘Me Too’, rich me.” This provocative comparison has sparked discussions among fans and critics, raising questions about the implications of associating wealth with controversial figures and their alleged actions.

In light of the allegations against P Diddy, several artists have seized the opportunity to revise their lyrics in response to the unfolding situation. One notable example is Kesha, who recently altered lines in her hit song “Tik Tok” that originally included the phrase, “Wake up in the morning feeling like P Diddy.” This line reflects Diddy’s significant influence in Los Angeles, particularly during his iconic “White Parties,” where he was often seen as the life of the party. 

By changing the lyrics, Kesha not only addresses the current climate but also recontextualizes a phrase that once celebrated Diddy’s persona, highlighting the evolving dialogue around accountability and the impact of celebrity culture.

As allegations against P Diddy continue to shake the music industry, artists like Eminem and Kanye West are using their music to explore issues of fame, power, and accountability. Their songs reflect personal experiences while also commenting on broader cultural problems. 

As fans analyze the lyrics for deeper meanings, it’s evident that music can spark important discussions about the consequences of actions in the public eye. This evolving situation blurs the lines between art and reality, raising questions about the role of artists in addressing societal challenges.

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The article above was edited by Isabelle Bignardi.

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Sarah Pizarro

Casper Libero '27

18 years old, journalism student at CĂĄsper LĂ­bero.