Oliver Twist is a classic. Whether it’s the original novel by Charles Dickens, or the 1968 musical film adaptation, the bleak story of poverty, misfortune, and adventure is timeless. Oliver is an orphan born in a Victorian workhouse. He eventually escapes child labour and travels to London where he meets a friendly criminal gang of pickpockets and is adopted by Fagin.
I had the pleasure of seeing Oliver Twist at Leeds Playhouse – it was an incredible experience. Compared to the musical adaptation it was very dark, portraying the danger and desperation of poverty in Victorian London.
I thought the actors were amazing, especially Nadeem Islam who portrayed the Artful Dodger as cheeky, kind and lovable, despite being a thief. The stripped-down stage design really highlighted the story’s emotion and cruelty. Comedic moments were skilfully woven into the play, providing much-needed balance and making everybody laugh.
Leeds Playhouse collaborated with Ramps On The Moon to produce this tragic and beautiful new play. Ramps On The Moon is an initiative by seven major UK theatre companies, committed to putting deaf and disabled artists on stage. Therefore, this performance of Oliver Twist featured integrated creative sign language, audio description and captioning.
It was great to see such an inclusive and diverse cast. It’s so important to support and provide a platform for marginalised and disabled actors, ensuring theatre is accessible to everybody. The use of audio description not only ensured the play’s accessibility but was also very powerful in creating an immersive experience.
Many of the themes in Oliver Twist are still relevant to society today, and this adaptation sensitively reflects upon these issues. I loved the way the cast retold a classic story, while also making a strong political statement.
Oliver Twist is at Leeds Playhouse, 28 February-21 March. Then touring until 6 June.
Words by Amy Bethell.
Edited by Zoe Glasspool.