    You know those actors that in your mind have really specific confines? The ones who are so rooted in their âgimmickâ, that you couldnât see them playing but one type of role? For me, itâs Matthew McConaughey that comes to mind. I know heâs been spicing it up in recent years, with roles in Dallas Buyers Club and the like. But, itâs hard to see him as anyone but enter white guy name here, a fast-talking-man-child-playboy who gets changed  by sweet and quirky enter blonde girl name here. He does this role well, donât get me wrong. Itâs why I can only see him this way.
    Itâs the same for me with Phyllis Smith, who played iconic Phyllis Vance on The Office. Her âgimmickâ of being the sweet simpleton who owns the duplex next door may be even more rooted in her filmography than Matthew McConaugheyâs. She has stepped out of it a little more recently by starring in the film Inside Out, her first major motion picture. However, when I saw her credited as starring in the new Netflix series The OA, I couldnât help but crinkle up my nose in confusion. Phyllis Smith? In a show that, although Iâve never watched it before, reeks of science fiction? I couldnât picture it. But, as I breezed through my latest binge watching crazes and was subsequently left with no other procrastinating material, I decided to take a chance on the eight episode series that had been looming in my suggested section. It was one of the best decisions Iâve made in my procrastinating career thus far. And as I got deeper into the show, realized Phyllis Smith could rock the sci-fi genre with ease.
    The OA is a sci-fi/mystery series created by and starring Brit Marling, who I had never heard of before. Sheâs acclaimed in the indie community for starring in and creating films such as The East and The Sound of my Voice, both falling into the realm of either sci-fi or thriller (I highly recommend both). This fact immediately earned The OA brownie points for me, because who doesnât love an empowering âgirl bossâ story, right?
        The OA centers around Prairie Johnson, a young woman who has returned home to suburban Michigan after having went missing seven years ago without a trace. From the disturbing hieroglyphic scars on her back, to her refusal to speak to the authorities, Prairieâs return lacks the warm-and-fuzziness youâd expect from a missing personâs homecoming. However, the biggest unknown that gains her the media title of âThe Michigan Miracleâ is that she returns with one thing she didnât have before she went missing–her sight. With all of the mystery surrounding their family, Prairieâs parents attempt to re-introduce her to her old life, but with all of the missing pieces canât seem to find success, as the past seven years continue to follow them.
    Although Prairieâs story is kept ambiguous for the most part, what we do know is that she has some type of unfinished business involving her disappearance. She enlists the help of an unlikely band of misfits, most of which are high school students, to whom she relays the truth about where sheâs been and her life story. She tells them that there are others she left behind, that they are lost in another dimension (which is where all the sci-fi goodness comes in), and requires the help of this band of misfits to find them. All of this takes them on a journey that involves  near death experiences, Russian Conspiracies, evil scientists, and an even greater truth that they will all learn about themselves and each other. In more or less words, itâs not the kind of show you can just watch for background noise. If thatâs what youâre looking for, please proceed to Cupcake Wars.
    One thing that I think makes The OA such an addictive show, and perfect for procrastinating, is the way that each episode, or âchapterâ flows into the next one. Like a book with no chapters, itâs hard to find a stopping point, and therefore feels like a long movie that you just have to finish. The show stretches your imagination so many ways and causes you to question everything you know about reality. The sets are so intricately designed and are unlike anything youâve seen before, so that although it’s set in the present day (as far as I know) you still feel like youâre being catapulted into the future.
    My only complaint is the lack of development in the supporting characters. Although we get snippets about their lives here and there, I still wish there wouldâve been more. Mostly because Iâm the type that hates ambiguity, and wants to know every characterâs life story, but if screenwriters played into this desire by laying it all out on the table, thereâd be nothing keeping us in for later episodes and seasons, so I digress.
    The topic of characters, however, sends me back to my anecdote on Phyllis Smith. Phyllis plays Betty Broderick-Allen, a teacher at the local high school. Betty is similar to Phyllis Vance, in the sense that sheâs a sweet, lackluster, middle aged woman, but has a streak of bravery and strength that separates her from the stereotypical character youâd expect her to be. She makes a big sacrifice for Prairie and her mission, and ultimately comes to a matter of life and death to save Prairie and the others.
    The intersectionality of people and stories on this show is the thing that speaks the most about it. Whether you like sci-fi or not, this show will definitely captivate your attention and keep you wanting more. It reminds you that people, and life and general, have layers, and that thereâs more than meets the eye to every situation or idea you encounter.
    As far as a distractibility level goes, Iâd give this series a nine out of ten, mostly because itâs so smart and captivating that it makes you remember youâre pushing off studying and schoolwork, and therefore continuing to not be as smart and clever as Brit Marling. A good snack pairing Iâd consider while you binge watch this show would be popcorn with chocolate chips mixed in. A perfect mixture of salty and sweet that doesnât require too much handiwork or utensils, because youâll be so busy trying to keep up with the plot that you wonât have time for frivolous things like table manners.
Â
The OA is available on Netflix. If you donât have an account, Iâd consider bribing somebody on your residence hall floor with snacks to give you their password.
(Lead image credit: Netflix, body image credit: 1)